• Artists Zoë Walker & Neil Bromwich, Michael Pinsky and puppet doctor Professor Hilary presented The Panacea Casebook at the Baltic.

• Ben Goldacre visited the Centre for Life to talk about Bad Science and how journalists can kill.
• Adinda van ‘t Klooster talked about and demonstrated her emotion light protoype at Lunch Bytes Culture Lab Newcastle University(you can see her lecture at STEIM here.

What is the connection?  Panacea Casebook uses many of the methods of clinical trials, for treating a number of modern maladies. For  the sci fi hottub trial that therewas a small but significant changein peoples wellbeing after the hottub experience. Of course for there to be any prof that art was the cause of this, there would have to be an exact copy of the hottub (see left) that wasnt touched with the idea of being art.

Only by comparing in a double blind trial these two treatments, the art and the art placebo, could the hypothesis that “art has a beniicial effect” be tested.

Ben Goldacre talks about how clinical trials can be misused, using the Durham Fish Oil ‘trials’ as an example of  the effect of placebo, and  the problems of expectation on performance. They havent met, but it would have been interesting.  The Panacea Casebook and the Emotion Lights have connections around the way ‘art’ might be good, and engagement with new media art might be benificial to cure a social ill.

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• Chair: Areti Galani
• Maria Chatzichristodoulou aka Maria X, Doctoral researcher at Goldsmiths, lead a session including researchers in the field of music / instrument making. She talked about Performing Intimacy, situating digital practice in new venues

• • Kazuhiro Jo (University of Tokyo)- Talked about sinewave orchestra, of making a space and a technology for others to perform in/with. Jo is between the cultures, and explains that few artists in Japan dont write in english, and as such they dont figure in the tome of known works.
  • Adam Parkinson (Newcastle University) Talked about how he is designing new interfaces for him to perform as a ‘laptop musician’ that maybe curators in the context of live music is the job of the promoter.
  • Miguel Ortiz Perez (Queens University Belfast)Talked about using sensors in his musicianship, trying not to get hung up on the theory of the new music as much as making music that is fun (ie circuit bent / toy hacking  / making).